The climax of a poem, as in the climax of a short story or a novel, is the high point, or the most important point, that the poem is trying to communicate. It is therefore often also the most emotionally-moving or dramatic moment of the poem. In essence, the entire poem was working toward this moment, the climax.

In literary terms, the definition of climax is the highest point of tension in a storyline, often depicted by a confrontation between the protagonist and antagonist. A climax resolves the main conflict of the story and is the moment the main character reaches—or fails to reach—their goal.

A climax, when used as a plot device, helps readers understand the significance of the previously rising action to the point in the plot where the conflict reaches its peak. The climax of the story makes readers mentally prepared for the resolution of the conflict.

From Wikipedia, the free encyclopedia. In rhetoric, a climax (Greek: κλῖμαξ, klîmax, lit. “staircase” or “ladder”) is a figure of speech in which words, phrases, or clauses are arranged in order of increasing importance. In its use with clauses, it is also sometimes known as auxesis ( lit. “growth”).

The climax in a short story, poem, play, or novel is the high point of tension in the plot. It’s usually when the main conflict of the narrative is confronted and solved or not solved by the hero.

The ending of a story or novel forms readers’ final impression of what they have read. An effective ending seals the readers’ satisfaction with your piece. It leaves them thinking and maybe talking about it long after they have finished reading.

Generally, an unhappy ending comes as a result of a decision. Lots of character arcs are completed when the protagonist chooses to make a hard decision despite their best interests. It needs to feel inevitable—something the character couldn’t not do despite the consequences.

A tragedy is both an event that causes sadness or disaster, and a tragedy is a kind of story that deals with unhappy endings and sad events. In tragedies or tragic stories that deal with unhappy events, the main character usually goes through a considerable amount of suffering and then dies at the end of the story.

6 Tips for Writing a Sad Story

1. Tap into your own emotionality.
2. Know the difference between sentimentality and truth.
3. Leave room to be surprised by specific detail.
4. Pair strong emotions with ordinary ones.
5. Use backstories to add weight.
6. Use sad moments to further character development.

Maybe they just like to be sad or they want to feel better about their own lives. Whatever the reason, “to each his own”. Maybe some hate happy endings to movies or books because they live such wonderful, happy, perfect lives that they just want something different for a change.

Those touched by tragedy or turmoil in real life might grow tired of happy endings, because they feel disingenuous. Or worse, they might make us feel as though our tragedy or woes are abnormal. So sometimes we crave an honest depiction of sadness, disappointment, regret, and, most importantly, resilience.

When a couple reuniting or girl getting her dream job doesn’t feel like a viable ending to a story, it shouldn’t be thrown in to make the reader happy. The story won’t feel complete if the ending is unbelievable. The biggest reason why sad endings are better than others at times is because it simply makes more sense.

If you want the reader to feel warm and lovely after reading your story, write that happy ending. On the other hand, if your purpose is to tell a different kind of romance story, or surprise the reader, or make them experience a small, poignant tragedy, then write the sad ending.

Serotonin and satisfaction. Satisfaction at the prospect of having a happy ending, when in real life, things never seem to fall in place. This provides a perfect escape route for the reader and so, peices of literature with happy endings are actually adored.

A happy ending means things got better as the experience unfolded. Most of us enjoy it when our pleasant experiences are as long as possible, but at the same time we want things to end well. When Dumbledore died at the end of the Harry Potter film, some people might have felt that their whole experience was ruined.

Forty-one per cent [of respondents] are overwhelmingly in favour of books with a happy ending, as against 2.2% who like it sad. Women were 13% more likely than men to say they want it all to end happily. Almost one fifth of men expressed a preference for books with ambiguous endings…

The film has a happy ending, which I had to make sure before I even watched it. I can’t spoil what happens, so you’ll just have to watch it. I loved this film because one, it evoked such a strong reaction out of me. The film was really good at producing motifs and stories that only the two of them would know.

Both happy and sad endings have a place in cinematic storytelling. Most movie endings are happy. If most stories had a sad ending, it would be a huge downer. It is good that movies uplift and the tendency towards, not absolute supremacy of, happy endings is a good thing.

There is something beautiful and emotional about the Korean romantic drama, Always. Like the classic romances of the past, the story and performances capture your heart and make you believe in true love all over again!