Conflict is a struggle between two opposing forces, ideas or beliefs, which form the basis of the plot. Traditionally, these forces have been referred to as the protagonist and the antagonist.

In addition, his, her, its, one’s, and their are the singular and plural third-person possessive determiners. Unlike first-person (I, our, we, us, ours) and second-person pronouns (you, your, yours), third-person pronouns in the singular are marked for gender: he and she, him and her, his and hers, himself and herself.

1. Second person pulls the reader into the action. Especially if you write in the present tense, second person allows the reader to experience the story as if it’s their own. Using the pronoun “you” and describing action as it happens supplies a personal sense of urgency, propelling the story—and the reader—forward.

Omniscient is a literary technique of writing a narrative in third person, in which the narrator knows the feelings and thoughts of every character in the story. Omniscient narrative tells the story of every character by demonstrating that only the narrator possesses information. …

There are two types of third-person point of view: omniscient, in which the narrator knows all of the thoughts and feelings of all of the characters in the story, or limited, in which the narrator relates only their own thoughts, feelings, and knowledge about various situations and the other characters.

Antagonist. Opponent who struggles against or blocks the hero, or protagonist, in a story.

Foreshadowing is a literary device in which a writer gives an advance hint of what is to come later in the story. Foreshadowing often appears at the beginning of a story, or a chapter, and it helps the reader develop expectations about the upcoming events. A writer may implement foreshadowing in many different ways.

climax