Postman asserts the presentation of television news is a form of entertainment programming; arguing that the inclusion of theme music, the interruption of commercials, and “talking hairdos” bear witness that televised news cannot readily be taken seriously.

Oct

At age 72, Postman died of lung cancer at a hospital in Flushing, Queens, on October 5, 2003.

Huxley feared those who would give us so much that we would be reduced to passivity and egoism. Orwell feared that the truth would be concealed from us. Huxley feared the truth would be drowned in a sea of irrelevance. This book is about the possibility that Huxley, not Orwell, was right.

1. George Orwell’s ‘1984’ But 1984 is not Kafkaesque. What 1984 lacks is both the sense of absurdity and the spotlight on the governmental machine’s unwieldiness, for George Orwell and Franz Kafka tackle similar subjects from different vantage points.

George Orwell’s 1984 is a defining example of dystopian fiction in that it envisions a future where society is in decline, totalitarianism has created vast inequities, and innate weaknesses of human nature keep the characters in a state of conflict and unhappiness.

Big Brother is a fictional character and symbol in George Orwell’s dystopian 1949 novel Nineteen Eighty-Four. He is ostensibly the leader of Oceania, a totalitarian state wherein the ruling party, Ingsoc, wields total power “for its own sake” over the inhabitants.

1984 is a political novel written with the purpose of warning readers in the West of the dangers of totalitarian government.

Julia’s Scarlet Anti-Sex Waist Sash A symbol of chastity in the book, Julia’s sash actually represents her duality. A devout Party member by appearance, Julia uses the sash to disguise her true actions (she has sex all the time).

Julia is Winston Smith’s love-interest and his ally in the struggle against Big Brother. She represents the elements of humanity that Winston does not: pure sexuality, cunning, and survival.

Introducing Julia George Orwell’s 1984 is a book about an overbearing government in a fictional super-nation called ‘Oceania. ‘ Julia appears in this story as a free-spirited rebel whose relationship and experiences with her lover, Winston, are the backbone of this story.

Julia is a dark-haired, twenty-six-year-old employed as a machine operator in the Fiction Department at the Ministry of Truth. Looking like a zealous Party member, she wears an (ironic) Anti-Sex sash around her waist, and always participates passionately during the Two Minutes Hate.

It seems the most logical because Julia loves Winston so her biggest fear would be him being eaten alive.

Her greatest fear was having Watson give her up. Julia’s Room 101 was simultaneously the same as Watson’s Winston’s.

Everyone has something they’re afraid of—the government in 1984 knew that rats were what Winston was particularly afraid of, which is why they used rats to terrorize him. If he had been especially afraid of spiders, they would have used spiders.