adjective. composed of many interconnected parts; compound; composite: a complex highway system. characterized by a very complicated or involved arrangement of parts, units, etc.: complex machinery. so complicated or intricate as to be hard to understand or deal with: a complex problem. Grammar.

Abstract: Aristotle distinguishes “complex” from “simple” tragedy, arguing that the defining structure of complex tragedy—peripeteia and anagnorisis generating catharsis—is what makes it complex. Catharsis, he insists, is the purpose of tragedy.

Simple and Complex Plots The simple plot represents a change of fortune which does not come about through a reversal of the situation and does not involve recognition on the part of the hero. In the complex plot, the change of fortune emerges of necessity from the events preceding it.

Many academics, most notably author Christopher Booker, believe that there are only seven basic plot structures in all of storytelling – frameworks that are recycled again and again in fiction but populated by different settings, characters, and conflicts. Those seven plots are: Overcoming the Monster. Rags to Riches.

The most important of these are plot and then character. Plot is the most important part of tragedy. It is more important than character. When making a plot, Aristotle says, the playwright must select a set of events from the larger story and organise them into a logical order, a unified action.

Some people think character is most important, others think plot is the most important, but you really can’t separate the two. Plot is what happens to a character, what a character does, or both. To show who or what a character is, you need to show the character acting, and that is plot.

‘” Aristotle defined three key elements which make a tragedy: harmartia, anagnorisis, and peripeteia. Hamartia is a hero’s tragic flaw; the aspect of the character which ultimately leads to their downfall.

Take one of the components of plot (exposition, inciting incident, rising action, climax, denouement), and show that point in your story.

Actually, Aristotle’s observations on tragedy are descriptive rather than prescriptive, and he emphasizes only one unity, that of plot, or action. In the French classical tragedy, the unities were adhered to literally and became the source of endless critical polemics.

Aristotle concludes that the best kind of plot involves the misfortune of someone who is neither particularly good nor particularly bad and whose downfall does not result from some unpleasantness or vice, but rather from hamartia—an error in judgment.

Aristotle defines tragedy according to seven characteristics: (1) it is mimetic, (2) it is serious, (3) it tells a full story of an appropriate length, (4) it contains rhythm and harmony, (5) rhythm and harmony occur in different combinations in different parts of the tragedy, (6) it is performed rather than narrated.

No, a tragedy, in the strictest sense, cannot have a happy ending (that is reserved to a comedy). The closest to a happy ending that a tragedy can have is to have a meaningful ending, but not necessarily a happy one.

the playing with a Happy Ending called as a Happy Ending is epitomized is the standard Fairy Tail ending pharas.

A happy ending is epitomized in the standard fairy tale ending phrase, “happily ever after” or “and they lived happily ever after”. Satisfactory happy endings are happy for the reader as well, in that the characters they sympathize with are rewarded.

It is common for the main character in a tragedy to have what is called a tragic flaw. Tragedies have a heartbreaking ending. While many tragic stories end in death, a tragic story does not always have to end in death.

Tragicomedy is a literary genre that blends aspects of both tragic and comic forms. Most often seen in dramatic literature, the term can describe either a tragic play which contains enough comic elements to lighten the overall mood or a serious play with a happy ending.

As adjectives the difference between sad and tragic is that sad is (label) sated, having had one’s fill; satisfied, weary while tragic is causing great sadness or suffering.

The Great Gatsby can be considered a tragedy in that it revolves around a larger-than-life hero whose pursuit of an impossible goal blinds him to reality and leads to his violent death. Gatsby’s tragic flaw is his inability to wake up from his dream of the past and accept reality.