The concerto was a popular form during the Classical period (roughly 1750-1800). It had three movements – the two fast outer movements and a slow lyrical middle movement. The Classical concerto introduced the cadenza, a brilliant dramatic solo passage where the soloist plays and the orchestra pauses and remains silent.

A solo concerto is a concerto in which a single soloist is accompanied by an orchestra. It is the most frequent type of concerto. It originated in the Baroque Period (c. 1600–1750) as an alternative to the traditional concertino (solo group of instruments) in a concerto grosso.

A concerto (/kənˈtʃɛərtoʊ/; plural concertos, or concerti from the Italian plural) is, from the late Baroque era, mostly understood as an instrumental composition, written for one or more soloists accompanied by an orchestra or other ensemble.

three movements

Johann Sebastian Bach

Overview: The Baroque Period The Baroque is a period of artistic style that started around 1600 in Rome , Italy, and spread throughout the majority of Europe during the 17th and 18th centuries.

Bernini and Roman Baroque sculpture The dominant figure in Baroque sculpture was Gian Lorenzo Bernini (1598–1680). He was the son of a Florentine sculptor, Pietro Bernini, who had been called to Rome by Pope Paul V.

Counter-Reformation

Baroque came to English from a French word meaning “irregularly shaped.” At first, the word in French was used mostly to refer to pearls. Eventually, it came to describe an extravagant style of art characterized by curving lines, gilt, and gold.

Among the greatest painters of the Baroque period are Velázquez, Caravaggio, Rembrandt, Rubens, Poussin, and Vermeer.

The word “baroque” comes from the Portuguese word barroco meaning misshapen pearl, a negative description of the ornate and heavily ornamented music of this period. Later, the name came to apply also to the architecture of the same period.

Renaissance art was a combined influence of nature, classical learning, and individuality of man. The key difference between these two forms is that while Baroque art is characterized by ornate details, Renaissance art is characterized by the fusion of Christianity and science in order to create realism through art.

10 Most Famous Paintings of The Renaissance

• Mona Lisa: The painting Mona Lisa by Leonardo Da Vinci is one of the most famous and recognized paintings in history.
• Primavera: The word means spring in Italian.
• The Creation of Adam by Michelangelo Buonarroti:
• The Last Supper:
• The School of Athens by Raphael:
• The Kiss of Judas:
• The Last Judgment:
• Sistine Madonna:

The key features of the Baroque art is it’s ornate details and it focuses on showing human emotions. The key features of the Renaissance art is it’s fusion of science and Christianity that gives a touch of realism to it. Baroque art is asymmetric and has more dramatic use of colours.

It is important to know renaissance and baroque art because Renaissance teaches us the power of looking to the past for insights and inspiration in dealing with today’s issues and Baroque style is characterized by exaggerated motion and clear detail used to produce drama, exuberance, and grandeur in sculpture, painting …

Answer: In the modern day art culture, baroque is used to describe the different works of art. Since the Renaissance, baroque is very well adopted in many forms of modern day art such as architecture, sculpting, theatre, that is in plays and opera and so on, literature as well as philosophy and painting.

Answer. Answer: Renaissance art began early in the 1400s, while Baroque came later in the 1600s. Renaissance art works did not completely depict human emotion, while Baroque art focused more on showing them.

Caravaggio’s innovations inspired Baroque painting, but the Baroque incorporated the drama of his chiaroscuro without the psychological realism. The style evolved and fashions changed, and Caravaggio fell out of favour….

Leonardo Da Vinci’s Mona Lisa is just one of many famous oil paintings and works by Italian artists from the renaissance and baroque periods of art which are still popular and heavily studied today.

Few people are aware that Michelangelo Caravaggio, one of the most influential Baroque painters, was known during his life for his violent behavior. The Italian artist, who was a leading reformer of European art in the 16th and 17th centuries, allegedly committed crimes more than once in his life.

According to writer Andrew Graham-Dixon, author of the 2011 biography “Caravaggio: A Life Sacred and Profane,” the artist’s troubled adult years stemmed directly from that traumatic loss of his family. “He almost seems bound to transgress,” Dixon writes. “It’s almost like he cannot avoid transgressing.

Caravaggio’s influence is evident both directly and indirectly in the paintings of artists such as of Rubens, Bernini, Jusepe de Ribera and Rembrandt.

But they fled in vain. A series of documents in the archives of Caravaggio records the death, in the second half of 1577, of Caravaggio’s father, his paternal grandfather and grandmother, and his uncle, Pietro. By age six, Caravaggio had lost almost every male member of his family to the plague.

Baroque

Caravaggio’s style of painting is easily recognizable for its realism, intense chiaroscuro and the artist’s emphasis on co-extensive space.

Michelangelo Merisi da Caravaggio

Vermeer’s Subject Matter. Vermeer ‘s choice of subject matter was of capital importance to his concept of art. No matter how masterfully his works are depicted, it would be incorrect to assume that he painted for the sake of painting and that subject matter was secondary to aesthetics.

It made me wonder what Vermeer did to her to make her look like that at him. That curiosity was what led me to write a novel about the painting: I wanted to explore the mystery of her gaze. To me Girl with a Pearl Earring is neither a universal tronie, nor a portrait of a specific person.

Although it would appear that Bramer was, at the very least, an early advocate for the young artist, nowhere is it stated that he was Vermeer’s teacher. Another important painter who Vermeer must have known in Delft during this period was Carel Fabritius, a former Rembrandt pupil.

Johannes Vermeer (/vərˈmɪər, vərˈmɛər/ vər-MEER, vər-MAIR, Dutch: [vərˈmeːr], see below; October 1632 – December 1675) was a Dutch Baroque Period painter who specialized in domestic interior scenes of middle class life.