It is called The Parisian Life but is also known as Interior d’un Cafi (meaning “inside a cafe”). He used oil on canvas to create this 22 x 31 inch painting.

He also posted and portrayed as an Egyptian priest in The Death of Cleopatra . He also sketched The Monkey and the Turtle for Juan Luna s love, Paz Pardo de Tavera. During his stay in France, he also wrote several literary works written in French language.

Rizal spent most of his time in the reading room of Bibliotheque Nationale. 2. During his spare hours, he used to dine at the homes of his friends: -Pardo de Taveras -the Venturas -the Ramirezes – the Rochas 3. Frequent visitor of the Boustead family 4.

Description. Painted a few months prior to September 1892, a time when Luna would be “caught up in dramatic events” that lead to a “heroic path”, The Parisian Life has a “playful” and “relaxed mood” that does not provide “the slightest hint of the tumultuous happenings to come” in Luna’s personal life.

Zerrudo also revealed that the painting can be interpreted in three ways, by literal and popular interpretation where the lady sitting in the sofa was identified as a flirt and prostitute, by tragic and biographical interpretation which discusses the personal experience of Luna with his wife who had an affair with …

Details. The Parisian Life (also known as Interior d’un Café or Inside a Café) is an oil in canvas impressionist painting. It is one of the paintings that in a period in Juan Luna’s life, the tones and mood of his paintings shifted from dark to light.

The formal elements that are shown in the painting are lines, light, shape and time. Lines can be evident in the painting by the lines in the floor and the implied lines that is made by the bodies in the painting. Light is being used here because the artist used artificial light to portray the darkness of the room.

The subject matter of “Parisian Life”, of course, makes it extra-special as a Philippine collectible. It contains, unquestionably, a self-portrait of the artist, and depicts, perhaps, a regular part of his life, that of eating in cafés. The presence of another Filipino, Dr.

Louvre Museum

The answer lies in Luna’s notebooks, where he described his model as having a beautiful pinkish skin and proportioned body, his Model No. 1. And after some research, it was determined that the woman was Angela Duche, a French woman, and the favorite of Luna.

Juan Luna

Spoliarium is one of the most famous paintings in the Philippines. He actually indicated the purpose of Juan Luna for painting Spoliarium which is painted to awaken Filipinos from ignorance, blindness, mental darkness and oppression.

The painting features a glimpse of Roman history centered on the bloody carnage brought by gladiatorial matches. Spoliarium is a Latin word referring to the basement of the Roman Colosseum where the fallen and dying gladiators are dumped and devoid of their worldly possessions.

In Rizal’s words, Spoliarium was a symbol of “our social, moral, and political life: humanity unredeemed, reason and aspiration in open fight with prejudice, fanaticism, and injustice.”

Answer. The image in Spoliarium depicts violence and oppression. Based on the Filipino context of Spoliarium, Filipinos were forced to entertain the Roman and Spaniards at the expense of their lives. They laid down their lives as a sacrifice during the colonization on these eras.

Answer: Spoliarium was the kind of painting that lent itself to the patriotic needs of the Filipinos and on which Rizal and others projected a nationalistic symbolism that helped rouse the Filipinos to rise up against the political oppression of their Spanish colonizers.

The Spoliarium is the most valuable, iconic oil painting by Juan Luna which features a glimpse of Roman history focused on the gory bloodshed brought by gladiatorial matches. This historical painting was an entry to the prestigious Exposicion de Bellas Artes in 1884 which eventually got Juan his first gold medal.

This art piece is not only considered valuable for its worldwide recognition and award but most especially for it represents the significance and essence of the Filipino’s social, moral and political life that includes humanity in severe ordeal, humanity unredeemed, reason and idealism in open struggle with prejudice.

Realism encompassed almost all genres, including landscapes and portraits. ​And if you look closely at one of the legendary Filipino paintings in our history, the Spoliarium by the great Juan Luna will definitely be a great example of realist art. It’s dark, riveting, and captures the hardships of the dying gladiators.