(5) There are four distinct kinds of tragedy, and the poet should aim at bringing out all the important parts of the kind he chooses. First, there is the complex tragedy, made up of peripeteia and anagnorisis; second, the tragedy of suffering; third, the tragedy of character; and fourth, the tragedy of spectacle.

It’s a tragedy that so many young people are out of work….tragedy ​Definitions and Synonyms ​‌‌

Correct spelling for the English word “tragedy” is [tɹˈad͡ʒədi], [tɹˈad‍ʒədi], [t_ɹ_ˈa_dʒ_ə_d_i] (IPA phonetic alphabet).

noun. /ˈtrædʒədi/ (pl. tragedies) [countable, uncountable] 1a very sad event or situation, especially one that involves death It’s a tragedy that she died so young.

noun, plural trag·e·dies. a lamentable, dreadful, or fatal event or affair; calamity; disaster: stunned by the tragedy of so many deaths. the art and theory of writing and producing tragedies.

Tragedy, branch of drama that treats in a serious and dignified style the sorrowful or terrible events encountered or caused by a heroic individual. By extension the term may be applied to other literary works, such as the novel.

tragedy. Antonyms: joy, delight, boon, prosperity, comedy. Synonyms: disaster, calamity, affliction, adversity, catastrophe, grief.

1a : a disastrous event : calamity. b : misfortune. 2a : a serious drama typically describing a conflict between the protagonist and a superior force (such as destiny) and having a sorrowful or disastrous conclusion that elicits pity or terror.

Catharsis

It is common for the main character in a tragedy to have what is called a tragic flaw. Tragedies have a heartbreaking ending. While many tragic stories end in death, a tragic story does not always have to end in death.

What is another word for tragedy?

No, a tragedy, in the strictest sense, cannot have a happy ending (that is reserved to a comedy). The closest to a happy ending that a tragedy can have is to have a meaningful ending, but not necessarily a happy one.

Tragicomedy is a literary genre that blends aspects of both tragic and comic forms. Most often seen in dramatic literature, the term can describe either a tragic play which contains enough comic elements to lighten the overall mood or a serious play with a happy ending.

Tragedy is a genre of story in which a hero is brought down by his/her own flaws, usually by ordinary human flaws – flaws like greed, over-ambition, or even an excess of love, honor, or loyalty. The hero is successful, respected, and happy. But he has some tragic flaw that will ultimately cause his downfall.

When a couple reuniting or girl getting her dream job doesn’t feel like a viable ending to a story, it shouldn’t be thrown in to make the reader happy. The story won’t feel complete if the ending is unbelievable. The biggest reason why sad endings are better than others at times is because it simply makes more sense.

Vote:

• Bicycle Thieves (1948)
• Requiem for a Dream (2000)
• The Champ (1979)
• Philadelphia (1993)
• Field of Dreams (1989)
• Terms of Endearment (1983)
• Love Story (1970)
• The Godfather: Part III (1990)

If you want the reader to feel warm and lovely after reading your story, write that happy ending. On the other hand, if your purpose is to tell a different kind of romance story, or surprise the reader, or make them experience a small, poignant tragedy, then write the sad ending.

Maybe they just like to be sad or they want to feel better about their own lives. Whatever the reason, “to each his own”. Maybe some hate happy endings to movies or books because they live such wonderful, happy, perfect lives that they just want something different for a change.

In a study published Monday in The Journal of Neuroscience, Vestergaard and coauthor Wolfram Schultz show that participants prefer experiences with happy endings to experiences that became slightly less enjoyable towards the end.

We cry at the happy ending. The reason was explained over 60 years ago by psychoanalyst, Joseph Weiss. Weiss explained that we unconsciously allow ourselves to feel distressing feelings only when it’s safe to do so. The danger of being overwhelmed has passed, and we can feel what was really there the whole time.

People have a hard time with change, people tend to dislike ‘ends’ as they are unconscious reminders of our so called mortality, and some people don’t dislike endings per se, they just dislike unhappy or unsatisfying or ambiguous endings.

It might be surprising, but multiple studies have shown that we actually enjoy sad endings. Our brains enjoy the feeling of empathy and sadness for others. In a way, we like seeing movie or game characters fall just short of their happy endings and endure tragedy as their final chapter closes.

The ending, in many ways, is the greatest display of theme and message that a story can offer. It provides the audience with the tools to understand both where it came from and how they can apply its lessons in their own mind.

Ending a therapeutic relationship is important for many reasons. To mourn the end of a relationship and experience a good, good bye. To prepare the person for new relationships they will encounter in their lives with renewed confidence, competence and resilience.

The ending is the most important part of a dramatic narrative: The ending is the part of a drama in which the conflict between the story’s protagonist and whatever antagonistic force is standing in the way of the protagonist achieving his primary motivating goal comes to a head and is finally resolved.

A happy ending means things got better as the experience unfolded. Most of us enjoy it when our pleasant experiences are as long as possible, but at the same time we want things to end well. When Dumbledore died at the end of the Harry Potter film, some people might have felt that their whole experience was ruined.

People love happy endings because it gives them hope for their own happiness. People like sad endings because they are relatable and they recognize that life can be sad. The storied people love the most are the ones they can relate to. Happy and sad endings both fall in that category.

Hollywood movies almost always have a happy ending, because Americans don’t like discomfort. Americans like happy feels that let them avoid reflection, introspection, and personal growth – the sort of things that art is wont to inspire.

The ending of a story or novel forms readers’ final impression of what they have read. An effective ending seals the readers’ satisfaction with your piece. It leaves them thinking and maybe talking about it long after they have finished reading.

While it’s not necessary to have a happy ending, having can help to drive the theme (message) of your story. Make certain the hooks and development you give to your story always play out into a payoff for your audience.