Nearly every piece of Florenza jewelry is rare and, therefore, collectible. This set is among the finest examples of Florenza design, materials and workmanship. The vibrant green enamel of the brooch is adorned with faux pearls, the bracelet and earrings with faux pearls and dazzling clear rhinestones.

Lisner sets: triple leaf parure in brown and gold; red hot parure comprised of tiny red flower buds; blue plastic knots parure. As trouble brewed in 1930’s Europe, importing jewelry and rhinestones proved difficult. The Lisner mark was first used in 1938.

Today Monet pieces are valued as vintage jewelry and are still worn and collected. While most of the designs are perfect for formal or special occasion, some of the more understated, minimalist designs can be worn regularly.

Specializing in gold-plated metal bracelets, brooches, earrings, rings, and necklaces in Victorian revival and renaissance styles, Florenza designed its own pieces as well as manufactured fashion jewelry for others, from Coro to Weiss. …

Jewelry patents were common in the past when jewelry designs couldn’t be copyrighted. A design patent protects the way a manufactured product looks but not the way it works or how it’s structured. Businesses can protect their intellectual property rights over an original design by applying for patent protection.

In 1943, it was named Coro, as a contraction of the co-founders last names – COhn and ROsenberger. Eventually, it became known under the names Coro, Coro Craft and Vendome, which was the company’s most expensive jewelry line. Coro Craft duette brooch featuring swallows.

It is made of rose-gold-plated sterling silver edged with diamanté accents. At the center of each side is a row of amethyst-glass navettes topped with a row of diamanté. This Duette, which was created for Coro’s high-end line, can be worn as a brooch or as separate dress clips.

1979

Since 1970 the company has significantly reduced its trade. Regardless of the style and design, decoration of ‘Vendome” are in great demand among collectors.

A misspelled hallmark or one that is “off” in any way is a great clue. Check that the size of the piece is accurate. Copies are often larger than the originals. A fake piece of Eisenberg jewelry might have plating that is too “loud” or plastic instead of glass stones.

Designers for Coro according to Brunialti: Gene Verrecchia [Verri] –1933 to the end of the 1963 (He and his son Ron founded Gem-Craft, which is still in business as of 2019). Catamore manufactured all Coro’s “precious metal” jewelry, until about 1970 when Coro started making their own.

“Corocraft,” after WWII. “Coro Sterling,” after WWII. Pegasus (flying horse used without a name), after WWII. Pegasus with “Coro” in script and “Craft” printed.

PEND.” (sometimes “DES. PAT. PEND.”) to indicate that the patent had been submitted and was pending approval. Once the patent was approved, companies could then stamp the patent number on the jewelry. In some cases, a design was patented, but the jewelry may not have a patent stamp, as in this lovely 1941 Coro brooch.

Especially the series of enameled brooches of extraordinary little men. However, the Carolee assortment is diverse and includes rings, earrings, necklaces, bracelets, charms and exquisite costume jewelry. An architect by training, Carolee Friedlander founded the popular jewelry brand Carolee in 1972.

NEW YORK — In a surprise maneuver, Carolee Designs Inc., one of America’s premier jewelry and accessory brands, has been sold to retail Brand Alliance Group, a new company formerly called Casual Corner Group.

The short answer is yes, you can patent jewelry. To patent a jewelry design, your design must be applied to a physical object. Patenting the design of your jewelry product protects the aesthetic appearance of the design, such as the ornamental aspect of an item of jewelry.