Quentin Jerome Tarantino (/ˌtærənˈtiːnoʊ/; born March 27, 1963) is an American film director, screenwriter, producer, author, film critic, and actor….

7 Of The Best Quentin Tarantino Soundtracks

• Death Proof. This soundtrack has quite the eclectic mix!
• Inglourious Basterds. Unfortunately for Inglourious Basterds, it did not receive an original score by Ennio Morricone, as hoped.
• Kill Bill Vol.
• Django Unchained.
• Reservoir Dogs.
• Kill Bill Vol.
• Pulp Fiction.

About which, Tarantino once said: “This is my favourite album ever. I spent the end of my teenage years and my early twenties listening to old music–rockabilly music, stuff like that. Then I discovered folk music when I was 25, and that led me to Dylan. He totally blew me away with this.

1 Kill Bill: Volume 1 (2003) The first half of the Kill Bill saga is by far the most violent film in Quentin Tarantino’s body of work. It is savagely bloody from beginning to end.

Tarantino’s films are known for his distinctive style, often inspired by scenes from his encyclopedic knowledge of cinema, while he chooses the music from his own extensive record collection, hand-selecting each track.

By far the most important musical influence on Quentin Tarantino has to be the work of Ennio Morricone. Morricone is a legendary Italian conductor and composer. He has produced more than 400 scores for movies and television in a variety of genres.

Speaking to Purple Revolver Quentin, 44, said he’s always been a huge fan of Ringo and that the drummer had the best dramatic presence out of the band. He said: “Now I’m an Elvis over the Beatles man any day of the week, alright.

As is the case with all of Tarantino’s films, Django Unchained is incredibly violent. We spoke to the director before the school shootings in Newtown, Conn., and before critics had taken him to task for the film’s brutality. The film also is being debated for the way it brings humor to the story of slavery.

Though Pulp Fiction has a reputation of being a very violent film it is shockingly less violent than Tarantino’s other works and has far less shootings than the average crime film, although one of the shootings is particularly gruesome.

Wendy Carlos
A Clockwork Orange/Music composed by

Records, featuring music from Stanley Kubrick’s 1971 film A Clockwork Orange. It includes pieces of classical music and electronic music by American composer and musician Wendy Carlos, whom Kubrick hired to write the film’s original score.

The synchronization of future film work was accomplished by two 16 mm projectors that were tied into a 16 mm tape recorder, and thus ran at the same speed. Tape loop gave the Barrons’ sounds rhythm. They mixed the sounds to create the otherworldly and strange electronic soundscapes required by Forbidden Planet.